I know I'm way behind the curve on this, but I just recently saw Frozen, and I was just so happy. I cannot possibly put into words how I felt watching this, but I recalled a similar thing happening to one Tom Haverford:
Crappy quality, but I'm feeling a lot like Mr. Haverford here. No explanation, I just had an emotioanl response to a piece of art. Totally didn't see it coming. After finishing the movie, I watched it again to try and see exactly why I had this reaction. For me anyways, the biggest thing was the way the movie began.
This song probably had the biggest affect on me then any other because the moment it began, I was... frozen... because it completely reminded me of another opening song from another amazing Disney musical.
What both of these songs have in common is simple: They set the mood for the film. Immediately I knew what I was getting from both The Little Mermaid and Frozen from these opening songs. I still get goosebumps when I hear the Frozen Heart.
But one song does not a musical make. If that was the case, Hercules and Anchorman would be musicals. Both of these movies use song to drive the key points of the plot - Frozen fails on this at the end, I'll go into that more later - and keep the movie going forward. Conversations are had in song and most normal dialogue used to advance the plot is at least sung, even if it's not a whole, proper song, as evidenced by the following:
This is an amazing change of pace from many of the more recent musicals Disney has done. This entire sequence is based off an earlier song in the movie, yet they use it as the backdrop of their conversation. It simply oozes of Broadway, it's just amazing. The entire film is like this, incorporating music in seemingly random places, and it really helps keep everything about it upbeat, and really helps guide the movie.
Of course, there are missed opportunities as well. I'm a little shocked Hans didn't have some sort of evil song outlining his plan - a staple for many classic Disney musicals - or that Kristoff didn't have any proper numbers of his own. I'm going to guess both of those were in the works but yet wound up somehow on the cutting room floor.
And that brings me to a point about Frozen I didn't like. I call it "Happy Feet Syndrome." Fortunately, Frozen had a fairly minor version of this, but the problem was still there. Something I have noticed in made for cinema musicals is their lack of music at the end of the film. Happy Feet was horrible in this regard, near 45 minutes pass at the end of the movie between songs. It's true.
This number is smack dab in the middle of the movie. The next song? THE CLOSING CREDITS. I saw Happy Feet in the theaters and I was pissed. I don't care about the crazy hippy environmental message sandwiched in to try and make a plot, I just wanted to see singing and dancing penguins, and the last half of the movie deprived me of that.
Frozen had this problem as well, but they managed to negate it by simply making the window smaller. I haven't timed out the music drought in Frozen, but it was nowhere near as bad as Happy Feet. This is a big difference between Frozen and the Little Mermaid, for why the Little Mermaid did have a drought of fully flushed out songs, they had some of the singing dialogue to break up the music drought. This is most clearly evidenced in Ursula singing on the wedding barge.
Not a whole song by any means, but it is still sung dialogue, which Frozen was using until the end of the film. This clip is also great because it's not a particularly upbeat or happy number because it's being used to convey an evil plan, but it doesn't derail the movie either, and that is something that musicals having a drought of music do accomplish.
Considering that is my only real negative critique of Frozen though makes me ecstatic for the future direction that Disney is taking. I have a theory as to why they have shelved musicals for so long, or rather, what accidentally caused them to do so, but I'll go over that in my next post some more.
More importantly though, I really hope this spurns on another golden age of musicals from Disney, not just because I love them, but because I grew up on them. They were the soundtrack of my childhood, from the Little Mermaid, Oliver and Company, Beauty and the Beast, the list goes on and on. And now that I'm a father, I look forward to helping my son have the same background music to his childhood that I had, and hopefully, it will foster in him a love for these films like the one I have.
So sometime later this week I'll posit my theory as to what happened to the great Disney musical for twenty years, but until then, I leave you with this, which is pretty damn funny.